Ideas On Processing Acoustic Guitar

Ideas On Processing Acoustic Guitar


So it's probably you will have encountered an acoustic guitar no less than once as a mixer and it's totally possible that you'll come across some again. Read this article and pick up some suggestions and convey your acoustic guitar to the subsequent stage in your mixes. I'll show you tips on how to achieve an important sound with the usage of EQ, compression and saturation.

Let The Bass Shine Although

The acoustic guitar is a really natural sounding instrument so do not be too harsh relating to rolling off the low end. I usually roll of beneath 50 Hz just to remove and excessive lows and rumbleness that could be causing problems. However the low end on an acoustic may be very beautiful, let it shine through. In lots of songs I've labored on, the intro or different a part of the track may have just an acoustic on it is own, so it is not colliding with any other instruments. In this case I may actually boost the bass! Don't be afraid of letting the bass of a guitar shine by means of just because you might be so used to cutting all of the low end out.

The 'Ugly' Low Mids

The 250 Hz - 500 Hz region is normally referred to as muddy and ugly. I have agreed to this, however I have also mentioned that it could actually sound wonderful on some instruments. The acoustic electric guitar can sound wonderful around this area. Don't soar to conclusion and carve away this area right away, listen and see how the guitar sounds around that area. It's a very good resonating sound.

Compression Strategies

Acoustic guitar tends to be very transient heavy, and in addition very dynamic with each low and high parts. With a compressor, I often do a 4:1 ratio, then set the attack time to about 160 ms. This lets the transient shine by uncompressed earlier than the rest of the sound gets compressed and louder, making the overall sound more even. I then tweak the discharge until it sounds good with that exact mix, but it's often about 400 ms.


The acoustic guitar is already a really harmonic instrument. Adding some saturation can really make it bulkier and fuller. For me, I exploit a distortion or saturation plug in, then dial it in till I hear nice distortion however on the identical time plenty of warmth. Then I dial back slowly till the signal isn't completely destroyed but it surely nonetheless has that warmth. This can really beef up the low finish and make the highs shine with none main EQ work that may make it sound over processed.


So I hope this article has geared up you with the knowledge it's good to make professional sounding acoustic guitars in your mix. Use these methods as a suggestion and discover the appropriate sound on your mix.

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