Suggestions On Processing Acoustic Guitar

Suggestions On Processing Acoustic Guitar


So it is doubtless you may have encountered an acoustic guitar at least once as a mixer and it's very doubtless that you will come across some again. Read this article and pick up some ideas and produce your acoustic guitar to the subsequent level in your mixes. I will show you easy methods to obtain an ideal sound with using EQ, compression and saturation.

Let The Bass Shine Although

The acoustic guitar is a really pure sounding instrument so don't be too harsh in relation to rolling off the low end. I normally roll of beneath 50 Hz just to remove and extreme lows and rumbleness that could be causing problems. But the low finish on an acoustic could be very lovely, let it shine through. In many songs I've worked on, the intro or other a part of the tune could have just an acoustic on it is personal, so it is not colliding with every other instruments. In this case I may actually increase the bass! Don't be afraid of letting the bass of a guitar shine by way of just because you're so used to chopping all the low end out.

The 'Ugly' Low Mids

The 250 Hz - 500 Hz region is often referred to as muddy and ugly. I've agreed to this, but I have additionally mentioned that it could sound wonderful on some instruments. The acoustic guitar can sound superb around this area. Don't bounce to conclusion and carve away this space right away, listen and see how the guitar sounds round that area. It is a very good resonating sound.

Compression Techniques

Acoustic guitar tends to be very transient heavy, and likewise very dynamic with each low and high parts. With a compressor, I usually do a four:1 ratio, then set the attack time to about 160 ms. This lets the transient shine through uncompressed before the rest of the sound gets compressed and louder, making the overall sound more even. I then tweak the release until it sounds good with Canon 60D that specific combine, but it's often about 400 ms.


The acoustic guitar is already a very harmonic instrument. Adding some saturation can really make it bulkier and fuller. For me, I use a distortion or saturation plug in, then dial it in until I hear great distortion but at the identical time a lot of warmth. Then I dial back slowly until the signal is not utterly destroyed nevertheless it still has that warmth. This may really beef up the low end and make the highs shine without any main EQ work which will make it sound over processed.


So I hope this text has outfitted you with the knowledge you'll want to make pro sounding acoustic guitars in your mix. Use these methods as a suggestion and discover the appropriate sound for your mix.

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